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Sam Tozer makes use of 360 GLP JDC Line 1000s within the Saudi desert
Saudi Arabia – What was billed as one of many largest music festivals on the earth, out within the Saudi desert, additionally broke new floor for GLP, as 360 of the brand new JDC Traces had been utilized by lighting designer Sam Tozer for the primary time on a single stage, on the large MDLBeast Soundstorm EDM occasion.
Set over 4 days on a 120-acre website outdoors Riyadh, the occasion was graced by over 150 world-famous DJs‚ together with Armin van Buuren, Charlotte de Witte, Martin Garrix, Steve Aoki, Tiësto and Deadmau5 and an viewers of over 700,000. And Sam Tozer’s Imaginative and prescient Manufacturing facility was accountable for lighting 4 of the eight levels.
Gear vendor Color Sound Experiment topped up its GLP stock by buying an additional 100 JDC1 hybrid strobes for the event. Nevertheless it was the JDC Line 1000s that had been foremost in MD Haydn Cruickshank’s thoughts. “We equipped 360 of them,” he reviews. “I actually just like the JDC Line, and since it’s associated to the JDC1 that we already had, it was a protected wager. Sam was on board right away.”
Color Sound dealt with the lighting, video and rigging elements of the manufacturing within the 4 Underground levels at Soundstorm, working carefully with MDL on the engineering and structural necessities of the Underground space, which was constructed of almost 1,000 transport containers. Imaginative and prescient Manufacturing facility was additionally closely concerned, serving to to create 4 distinctive venues that represented the nightlife tradition inside Saudi Arabia, every inside one of many transport containers.
Color Sound has loved an in depth relationship with Sam Tozer through the years, and his pre-viz passed off over every week at its London facility. This was the most important mission the LD and his nine-strong group had been concerned in, and such was the size that Color Sound itself shipped 20 containers out to the desert.
All 360 of the JDC Traces had been deployed on the UG1 stage (the most important within the Underground space), the place Kris Goodman, who was directing this stage, dealt with the mammoth process of programming.
As well as, 700 GLP X4 Bar 20 had been distributed throughout all levels, in addition to 150 JDC1 and 24 impression FR10 Bars.
“Selecting the correct models for the job was important,” explains Tozer. “The merchandise we bought needed to have the wow issue for this occasion but additionally be a product LDs would need sooner or later. And I felt, as did a lot of the different LDs who visited our levels, that the [JDC] Line was one.
“I needed a linear fixture that I might use to hint the structure of the stage. Together with the X4 Bars and FR10s we adopted just about each line on the stage. I additionally needed an enormous strobe look, which they delivered on, however had the extra functionality of making pixel LED results as nicely.”
As for the JDC1, these had been break up between the big UG1 and UG2 levels and the X4 Bars divided between these levels (specifically UG2) and UG3. However the greatest triumphs had been within the creative programming. “We used the total pixel-mapping facility and needed to work out a brand new manner of programming them, as there have been plenty of parameters on the desk,” Tozer observes.
The largest problem was creating a novel search for all levels “but additionally having sufficient dynamic to maintain audiences engaged visually for 3 days,” he explains.
From a manufacturing perspective the occasion had been an entire triumph. “Our transient was merely to create one thing that had by no means been seen earlier than, and we managed to provide you with these ideas. I feel all of the levels we had been accountable for had been liked by the locals, and the MDLBeast socials actually expressed that,” Tozer provides.
Along with Kris Goodman (UG1), Sam Tozer was supported by a group of lighting administrators together with Alexander Hesse (UG2), Chris Scott (UG3) and Ryan Dennett (UG4), with Alex Wilson, Charlie Vincent, Will Burton and Matt Lee dealing with video respectively on these levels.
Because of the measurement of this occasion, together with vital calls for from different reveals within the area, Color Sound has now opened a 30,000 sq ft warehouse in Jeddah, a uncommon different within the Center East from the closely populated rental hub of Dubai. Explaining the choice, Cruickshank says: “[Soundstorm] was a large rave in part of the world that hasn’t actually seen it earlier than. It’s good to be at the start of one thing culturally.”
images: Kris Goodman
www.glp.de
twenty first April 2022
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