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‘I Media impressed by historic texts’
ROME, July 4: Kuwaiti playwright and director Suleiman Al-Bassam stated on Sunday that his play “I Media”, which was proven on the Naples Worldwide Competition in Italy, is a part of a sequence of works impressed by historic texts, stressing that it’s not unusual for Kuwaiti tradition to handle the problems of the instances and main points confronted by many societies. This got here in statements made by Al-Bassam to Kuwait Information Company (KUNA) after the presentation of his play “I Media” on the Naples Worldwide Theater Competition, which is the primary joint efficiency of the play within the European continent after it was proven in Arab worldwide festivals in Carthage and Cairo, wherein the play gained a sequence of main awards. He added that the “I Media” present, as occurred with the earlier present “The Play of Ur”, which was introduced by the German Nationwide Theater in Munich in 2018, was born on the island of Failaka.
Al-Bassam harassed that it’s not unusual for Kuwaiti tradition to handle the problems of the instances and main points going through many societies, similar to problems with wars, misuse of energy and id and the problem of immigration, which is the central theme of the play “I Media” that was proven Saturday within the coronary heart of Naples, one of many capitals of Italian and European theater. Al-Bassam identified that the play gained a sequence of main awards on the Carthage Theater Festivals in Tunis and Cairo Worldwide for Experimental Theater in December 2021.
Theatrical performances
It was additionally praised as one of the necessary theatrical performances this present day after it was proven in essentially the most prestigious theaters of Beirut and in addition within the particular present of Dar Al-Athar Al-Islamiyya in Kuwait. On Saturday, the up to date tragic lyrical play was proven in Arabic with a tape subtitles in Italian on the stage of the “Politama” theater in Naples, a joint manufacturing by Al-Bassam Theater with the Campania Theater Competition Basis and the Arab Fund for Arts and Tradition (AFAC).
The viewers of the annual worldwide pageant interacted with the projection of Greek tragedy (the origin of European cultural anthropology) on up to date actuality and the West’s view of refugees as “strangers” and its dealing with of the present political and social dimensions in Europe from the struggling of immigrants between racism and rightwing extremism.
The play, written and directed by Al-Bassam and introduced by a blended Arab and European troupe from various backgrounds and cross-border theatrical experiences in an expressive theatrical context, succeeded in adapting classical tragedy with a symbolic key to analyzing Western public opinion and the position of digital platforms in fueling extremism and political conflicts. In a context dominated by technological despotism, the character of “I Media” is reclaimed Al- Bassam additionally performed a number of roles within the work, such because the position of the creator on the stage, the treacherous husband “Jason” and the king “Creon”. The musical “Dragon Crew” from Lebanon, scenographer Eric Souier, sound engineer Mathilde Dussier from France, lighting director Samir Shaarawy from Egypt, actor and manufacturing supervisor Osama Jamai from Tunisia participated within the work. (KUNA)
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