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Kankyō ongaku (environmental music), a Japan born-and-bred interpretation of the ambient style, continues to win followers all over the world. It has arrived over time in re-releases; 2020 alone noticed the reissuing of Yumioko Morioka’s “Resonance” — the one album by the pianist/composer-turned-chocolatier — and Takashi Kokubo’s “Digital Soundology #1 Volk von Bauhaus.” Even the pretty latest reissue of “Music for Commercials” (1987), a set of ambient-adjacent audio logos and business music made by saxophonist Yasuaki Shimizu within the Eighties, showcases a penchant for audio goodness from these islands.
One of many newest artists to be reintroduced to listeners all over the world is Yutaka Hirose. Swiss label WRWTFWW Data has netted 11 of his tracks and put them right into a glistening butterfly case of an album, “Hint: Sound Design Works 1986-1989.” The label calls it “a vital addition to each Japanese environmental music fan’s assortment,” and it’s not troublesome to agree.
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Hint: Sound Design Works 1986-1989, Yutaka Hirose
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