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‘Otta-Nilanilppinte Prathishedham’ might be staged by Thudippu – A Human Collective at Kerala Arts and Crafts Village in Thiruvananthapuram
‘Otta-Nilanilppinte Prathishedham’ might be staged by Thudippu – A Human Collective at Kerala Arts and Crafts Village in Thiruvananthapuram
When you find yourself pushed to the sting, you resist. How resilience turns into a software for survival is the crux of ‘Otta — Nilanilppinte Prathishedham’ , a dance-theatre manufacturing by Thudippu – A Human Collective. The Kochi-based group will premiere their manufacturing at Kerala Arts and Crafts Village (KACV), Kovalam, as a part of the Worldwide Dance Competition right now.
‘Otta’ is the primary impartial manufacturing of Thudippu, based by Ponnu Sajeev, Anjali Krishnadas and Divakaran Aravind three years in the past. Whereas Ponnu and Anjali are disciples of veteran Mohiniyattam dancer Kanak Rele, Aravind is a Kalari practitioner.
Scene from the dance-theatre manufacturing ‘Otta’
| Photograph Credit score: SPECIAL ARRANGEMENT
The story revolves round three characters from the Mahabharata — Bhima, one of many Pandavas, Hidimbi, the demoness whom he marries whereas in exile within the forest, and Ghatotkacha, their son, and the way they battle their very own battles, each inner and exterior. When Bhima leaves Hidimbi behind within the forest, she brings up Ghatotkacha on her personal. Later, Ghatotkacha joins his father within the battle of Kurukshetra towards the Kauravas, and wreaks havoc on the enemies earlier than he will get killed. Ponnu, Anjali and Aravind play the three key characters.
Interior turmoil
“We discover the mindscapes of the three characters. The omnipotent Bhima is submissive; he’s in a dilemma over deserting Hidimbi and goes via a gamut of feelings when he meets their son for the primary time on the battlefield. Hidimbi, in the meantime, loves Bhima regardless that he killed her brother, Hidimba. A robust girl, she brings up Ghatotkacha all by herself. Ghatotkacha, who has grown up within the forest along with his mom, has apprehensions about transferring to a different world the place he’s going to satisfy his father for the primary time,” says Anjali.
Whereas Bhima’s and Hidimbi’s characters are offered via Mohiniyattam, Ghatolkacha’s is staged via Kalaripayattu. “Now we have used a mix of how Kalaripayattu circumstances the physique of an actor and its fight strategies. Within the Mohiniyattam part, we have now moved away from the standard lasya-oriented format,” Anjali says.
Scene from the dance-theatre manufacturing ‘Otta’
| Photograph Credit score: SPECIAL ARRANGEMENT
She provides that the inspiration for ‘Otta’ got here from a temple devoted to Hidimbi at Manali in Himachal Pradesh. “She is sort of a guardian angel for the devotees. In ‘Otta’ we have now tried to indicate that she just isn’t an peculiar girl. However the work isn’t just about these three characters and their struggles. It’s devoted to communities who’re preventing for survival. We’re speaking about how they use resilience as their weapon when they’re reduce off from social, political and cultural areas by these in energy,” she explains.
The 25-minute manufacturing has lyrics and dialogues by Ganesh Malayath and music by Vishnu Sivasankar.
‘ Otta’ might be staged at KACV, Kovalam, right now at 7.30pm.
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