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Madhusudanan Kalaichelvan and G. Ravi Kiran.
| Photograph Credit score: Particular Association
Dikshita Kshetra Darshanam is a undertaking by Guruguhaamrta, which has been working to advertise and observe the musical legacy of Dikshitar. Over the past 14 years, it has been conducting a number of actions on this route, the newest being Dikshita Kshetra Darshanam. This undertaking has been conceived by Carnatic vocalist G. Ravi Kiran, who can be the founder and managing trustee of Guruguhaamrta. Together with him is Madhusudhanan Kalaichelvan, who’s a storyteller, and historical past and heritage fanatic. The 2 have been creating video documentaries, that are filmed on the kshetras that Dikshitar visited and documented in his kritis. Obtainable on Guruguhaamrta’s YouTube Channel, they’re an amazing supply of data not just for college students of music but in addition for connoisseurs. Ravi Kiran renders the kritis with ardour and Madhusudanan elucidates them with equal fervour. The theme music for the collection has been composed by senior mridangist Ok. Arun Prakash.
The primary episode premiered on March 24, 2022 coincided with the 247th beginning anniversary of Dikshitar. Regardless that he was born in Tiruvarur, he made Ettayapuram his dwelling. He travelled extensively, starting his journey as a devi upasaka in Kashi, and later visited numerous temple throughout South India. . Every of his composition delve into the intricate particulars concerning the locations and the presiding deities of the temples.
Talking concerning the undertaking, Ravi Kiran says, “Since there isn’t a genuine documentation, Dikshitar Kshetra Darshanam lends a visible facet to the aural magnificence of those compositions.”
The fourth episode of the collection on Vaitheeswaran Koil was launched on March 24 this 12 months, on the event of the 248th beginning anniversary of the composer. ‘Bhajare re chitta’ set to raga Kalyani is devoted to Vaidyanathar and his consort Balambika.
The episode opens with great pictures of the temple and the adjoining streets with a commentary on the temple’s historical past and significance. The conversations between Ravi Kiran and Madhusudanan are casual, but intense, one factor resulting in the opposite. The 2 strategy Dikshitar from two totally different views — musical and philosophical. Ravi Kiran’s rendition of the Kalyani composition (accompanied by Sayee Rakshith, Ok. Arun Prakash and N. Guruprasad) is beautiful; he makes fascinating observations concerning the kriti, Dikshitar’s portrayal of Kalyani, the resemblance to Tyagaraja’s ‘Nidhichala’, and so forth. Madhusudanan deconstructs phrases, taking phrases again to their supply.
Query: What led you to launch Guruguhaamruta?
Reply: I at all times had a fascination for Dikshitar’s works, which was fostered in me by my guru T.M. Krishna. Seeing him set to tune Dikshitar kritis from the Sangita Sampradaya Pradarshini fuelled my curiosity additional.
Q: The widespread notion is that Dikshitar’s kritis are complicated. How would you reply to that?
A: Tyagaraja’s Pancharatna kritis, for instance, are complicated artworks music. Nevertheless, listening to them at concert events have helped demystify the compositions for us. Sadly, this didn’t occur within the case of Dikshitar’s kritis.
Q: What do you suppose is the achievement of Guruguhamruta since its launch in 2009?
A: We’ve been constantly conducting no less than three flagship occasions yearly — akhandam on the Dikshitar’s samadhi in Ettayapuram, a contest of Dikshitar kritis (which is now world and on-line) and a day-long Dikshitar Day in November. For the previous two years, we have now additionally been producing content material on YouTube similar to ‘Raganga Malika’ and ‘Dikshita Kshetra Darshanam’.
Q: How did Dikshita Kshetra Darshanam come about?
A: There are a lot of elements to Dikshitar kritis. Essentially the most vital being kshetra kritis, which interweaves music with the historical past of the temple, the architectural particulars in addition to the Puranic references. Dikshita Kshetra Darshanam is an try to create documentaries, The kritis are sung and mentioned inside the house they’re set in. We’ve launched three episodes: Tirukkannamangai, Sri Vanchiam and Mannargudi.
Q: How are you elevating funds for this undertaking?
A: It’s being funded by particular person donors. We name them The Dikshitar Collective — a bunch of Dikshitar lovers from across the globe.
Q: How do you intend and shoot every episode?
A: We’ve a listing of kshetras and the related kritis that we intend masking. As soon as we determine the kshetra/kriti for an episode, I do a recce with the video crew led by M. Muthukrishnan. I work intently with Madhusudhanan Kalaichelvan. Whereas the shoot takes about two days, the edit 20-30 days. I’ve to handle it with my live performance schedule.
Q: What number of episodes have you ever envisioned?
A: The primary season contains six episodes — we produced one episode each three months final 12 months and hope to take care of that this 12 months too.
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