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The viewers that stuffed the Ok. T. Mohammed Smaraka Theatre in Thrissur sat spellbound for 2 hours, watching the animated efficiency of 12 dancers who staged ‘Usha Parinayam’ within the Kuchipudi Yakshagana fashion. Curiously, lots of them didn’t realise that they had been standing testimony to a historic scenario because the artwork type was being offered exterior the celebrated village in Andhra Pradesh for the primary time. Additionally the dancers had been all women, as towards the normal performers who had been all male Brahmins.
“That is the results of efforts made beneath the steering of guru Pasumarthi Rattiah Sharma, who’s eager to popularise this century-old dance drama, which is on the verge of extinction owing to non-availability of dancers within the land of its origin,” mentioned Sreelakshmi Govardhanan, Kuchipudi dancer and director of the Thrissur-based ‘Avantika’.
The leitmotif of the play is the union of Usha, the daughter of the mighty Asura king Banasura and Anirudha, the grandson of Krishna. It entails two elements: First, Banasura profitable boon from Shiva and the second, the solemnisation of the Usha-Anirudha marriage.
The entire present was an illustration of the confluence of nritta, nrithya, natya and dialogue.
Praiseworthy was the position of suthradhara performed by guru Sharma himself, attired within the conventional costume. He introduced the entry of Banasura whose pravesa dharuva spoke for the valour of the character. Usha’s entry and her dance together with maids had been spectacular too.
Maybe the hero of the present was guru Sharma himself whose intermittent explanations and energetic nattuvangam will stay etched on the thoughts of the viewers.
Meenakshi Ayswarya (Banasura), Souparnika Nambiar (Usha), Karthika Madhavi (Chitralekha) and Kavya Harish (Anirudha) had been the principle dancers. Musicians included Adarsh (vocal), Murali Sangeeth (violin) and Sreerag (mridangam).
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