The Barbie Movie is So Pink, It Caused a Global Paint Shortage

All through all of the trailers and promos launched for Barbie, it’s clear that director Greta Gerwig goes for a splashier, brighter coloration palette than most live-action blockbusters nowadays. Pink is essentially the most pervasive coloration within the footage proven so far, and because it seems, the movie mainly had a monopoly on the colour throughout manufacturing.

In keeping with a current interview with Architectural Digest, manufacturing designer Sarah Greenwood and Gerwig talked in regards to the overwhelming pinkness of Barbie Land. Gerwig stated she wished the pinks to be “very vivid, and every little thing to be nearly an excessive amount of. Sustaining the ‘kid-ness’ was paramount.” To do that, the crew used fluorescent Roscoe paint, and Greenwood famous that a lot of this particular shade was used that you just couldn’t get it anyplace else on the earth. “The world ran out of pink,” Greenwood laughed.

Because the title implies, Barbie Land is the place all of the totally different variations of Barbie (and in addition Ken) reside. For Gerwig, she aimed for “genuine artificiality and aimed to “seize what was so ridiculously enjoyable in regards to the Dreamhouses.” Greenwood and set decorator ordered a Barbie Dreamhouse to check to be able to determine how you can “make Barbie actual by way of this unreal world,” and their main affect was the midcentury modernism of Palm Springs. Moreover, the home was designed with none partitions or doorways, with Gerwig noting that it calls again to the design of Barbie’s Dreamhouse units. “Dreamhouses assume that you just by no means have something you would like was non-public—there isn’t any place to cover.”

Barbie releases in theaters on July 21. You’ll be able to learn Architectural Digest’s full interview right here, which comprises additional perception on Dreamhouse design and extra influences on the film’s manufacturing.

[via IGN]

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