Tired of Winning Yet, China? — The Band Slap Has Some News for You – China Heritage

The Different China

十八梗

On their Twitter account the band Slap (@1998slap) describes itself within the following means:

耳光樂隊, fashioned in 1998. Creators of recent fables, performers of absurdist drama, a counter-current to the mainstream, a bunch of rogue travellers adrift amongst the decrease orders and the minjian realm.

耳光樂隊，1998年成立。現世寓言的創作者，荒誕戲劇的表演者，主流浪潮的逆流者，漂泊底層民間的江湖人。

For twenty 5 years Slap has navigated a course via the world of the ‘rivers and lakes’ 江湖 jiānghú, the diapositive atmosphere to that of Official China. It’s the area of ‘hooligan’ 流氓 líumáng tradition and a part of the indestructible and obstreperous underbelly of China (for extra on this, see ‘The Apotheosis of the Liumang’ in Within the Crimson, pp.62-98).

[Note: For a song by Slap on the ‘rivers and lakes’, listen to 相忘於江湖。］

Active in the rowdy pub culture of cities throughout China, Slap has for over two decades offered audiences an ongoing commentary on the human condition and society at large. Bristling with literary and pop allusions, their songs also provide some of the most entertaining asides on life in the workplace and the practical politics of interpersonal relations. Their critiques are unapologetic, rhythmic and ribald. Their voice is more raucous and less softly spoken than some of the others that we have featured in The Other China, like those of Liu Chan 劉蟾, Mei Liu’r 梅六兒 and Lao Shu 老樹. Like them, however, the œuvre of Slap amounts to an inventory — 盤點 pán diǎn — of Chinese life. (For some musical highlights from October 2021, see 長沙站精華篇。)

On stage, Zhao Yuepeng 趙越鵬, the folding-fan-wielding lead singer and lyricist of Slap, embodies the winking persona of a socio-political peeping tom. His stage name is Zhao Huangtang 趙荒唐— ‘Zhao the Absurd’ — a nom de plume that, like the songs he writes, reflects what the sociologist Zhou Xiaozheng 周孝正 has called The Four Absurds and Eight Absences 四荒八無 sī huāng bā wú of contemporary China:

四荒: 荒唐、荒誕、荒蕪、荒謬
(The Four Absurds: ridiculous, absurd, vacuous and wrong-headed)

八無: 無知、無能、無情、無義、無道、無德、無恥、無賴。
(The Eight Absences: ignorant, impotent, pitiless, dishonorable, untethered, immoral, shameless and indolent)

Zhao the Absurd is part of a modern tradition that shares a sensibility with the best comic dialogues 相聲 xiàngsheng of recent decades. The masters of the stage, Guo Degang 郭德綱 and Yu Qian 于謙, have long been excoriated for rapid-fire comedy that reflects what the pearl-clutching moralists of the Communist Party describe as ‘Three Kinds of Vulgarity’ 三俗 sān sú — 庸俗 yōng sú, the mediocre、低俗 dī sú, the low-brow and 媚俗 mèi sú, kitsch that panders to the lowest common denominator. (For Guo and Yu’s response to the long-standing accusation ‘I’m Setting Myself Against Vulgarity’ 我要反三俗。) Zhao’s work also shares a lineage with the age-old traditions of ‘story telling’ 說書 shuō shū and the modern genre of ‘behind-the-scenes’ 黑幕 hēimù urbane social commentary. Audiences often use the old expression 針砭時弊 zhēn biān shí bì , ‘to cauterise the ills of society’, to characterise Slap’s message. Among other things, it brings to mind popular works such as Odd Realities Witnessed Over Twenty Years 二十年目睹之怪現狀, one of the famous ‘caustic novels’ 譴責小說 of the late-Qing period.

Below, we introduce a number of songs by Slap followed by an account of ‘Red Child’s Eighteen Wins’ 紅孩十八贏, a work that the band released in January 2023. It is one which has, as China Digital Times reported:

… been attracting much attention lately on Chinese social media and Chinese Twitter. The folk tune combines iconic characters and scenes from the classical Ming Dynasty novel “Journey to the West” with biting satirical commentary on current and recent events in China and the world.

Although China’s ‘culture police’ 文管 wén guǎn are on the prowl, Slap continues to tour.

In this chapter of The Other China we reproduce the report on Slap from China Digital Times with the kind permission of Samuel Wade. We are also grateful to Jing Qian of the Center for China Analysis at the Asia Society Policy Institute in New York for alerting us to this new song by Slap.

The title of this chapter is inspired by a famous line from Donald J. Trump who famously claimed that ‘We’re gonna win so much you may even get tired of winning.’ It’s a familiar boast to anyone who has been subjected to the self-approving claims of China’s party-state. After all, as we have previously noted, the cult-like Republican followers of DJT share much in common with Xi Jinping’s Empire of Tedium. On both sides of the Pacific, self-confidence and self-deception are married to a tireless penchant for braggadocio.

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The number eighteen — 十八 shíbā — features frequently in Zhao Huangtang’s songs and, over the years, Slap has built up a repertoire of eighteen-themed works and we provide links to the group’s 十八系列 shíbā xìliè below.

Generally, the term 十八 shíbā means ‘many’, or ‘a lot’. ‘Eighteen generations of ancestors’ 祖宗十八代, for instance, features in the Beijing lexicon of curses, and ‘eighteen’ is also used for various traditional ‘listicles’. As part of the rubric of this chapter in The Other China we combine it with 梗 gěng (from 哏 gén) — gag, quip, pun or punch line.

— Geremie R. Barmé
Editor, China Heritage
14 June 2023

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Media Reports:

Slap online:

Selected songs by Slap on YouTube:

耳光十八系列 (a partial list)

Miscellaneous Works

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A Slap Sampler

Geremie R. Barmé

Elsewhere in China Heritage we have introduced songs by Lo Tayu (Particular Pedantry), Cui Jian (It’s My Duty), Li Zhi (They’re Afraid) and Peng Lei (Xi Jinping’s Harvest)

The allusion-laden world of Slap will be familiar to students of New Sinology, the study of contemporary China that encourages a holistic appreciation of the living traditions of literature, history and thought 文史哲 wén shǐ zhé. While being alert to the crucial importance of mainstream politics and economics, New Sinology embraces China’s languages, ideas and history, the interconnectedness of a living past lives with the present that allows for an entrée to a Chinese multiverse far larger in scope than that covered by the narrow interests of business, government and the discipline-bound academy. This Chinese world long pre-dated the present moment and it will continue to thrive long after the Sturm und Drang of today has passed.

The music of Slap is an object lesson in New Sinology.

The following songs, the videos of which include Chinese subtitles, are easily accessible and offer a taste of the variety and style of Zhao Huangtang and Slap.

Pucker Up

In the orient you’ll find Arse-Bandit Mountain 爆菊山 bào jú shān (or Mount Butt-fuck), the theme of which is ‘The Soap Song’ 肥皂 féizào zhī gē. One can interpret Mt. Butt-fuck to mean a place where everyone is screwed over and Slap often refers to it as their home. For more on this, see ‘The Legend of Mt. B-F’ 爆菊山傳說 below.

Slap 耳光樂隊 ěrguāng yuèduì, a minstrel rock group from Baoding, Hebei province, has been singing about this mysterious land for decades.

[Note: 菊 jú, ‘chrysanthemum’, is a slang term for rosebud, bussy or anus. 爆菊 bào jú means anal rape, buggery or rough anal sex. 撿肥皂 jiǎn féizào, ‘pick up the soap’, is synonymous with 爆菊花 bào jú huā, literally ‘destroy a chrysanthemum’.]

It goes like this:

啊同志你是個人啊你還是個妖
無論你是人是妖    還是個人妖
如果你的三觀毀掉找不到節操
請你快彎下腰跟我一起撿肥皂
看那菊花多麼美妙到處是節操
男女老少大家一起撿啊撿肥皂

Comrade dearest, pay attention up: whether or not you’re an individual or monster
And even in the event you’re someplace between the 2
If you happen to’ve misplaced all advantage and your Three Views are a large number
Hurry up and bend over like me and simply decide up the cleaning soap
Then you definately’ll respect the beguiling fantastic thing about the rose bud and virtues aplenty
Women and men of all ages come on, then:
Bend over like me now, and decide up the cleaning soap!

Pucker up!

[Note: 三觀 sān guān, ‘the three views’: the individual’s worldview, approach to life and values 世界觀、人生觀、價值觀. For more on Legends of Mt. Butt-fuck, see: 爆菊山傳奇三部曲]

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The Legend of Mt. Butt-fuck — A Historical past of Trendy China

爆菊山傳說

A narrative informed via three flowers:

[Note: The official flower of the Manchu-Qing empire was the peony; the plum blossom was the emblem of the Republic of China; and, as for the chrysanthemum, after 1949 … .]

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Perspective on a Bizarro Land

看奇葩國

A tongue-in-cheek paean to the Kim dynasty of North Korea:

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Farewell to the God of Plague

送瘟神

[Note: ‘Farewell to the God of Plague’, 送瘟神 sòng wēn shén, is also the title of a poem by Mao Zedong dated 1 July 1958.]

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What Function Do You Count on Me to Play?

夜深沉

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Simply Take a Have a look at You

你又在世界中心呼喚愛

A track a couple of explicit form of egomania:

‘You at all times deflect doubts and questions by utilizing that massive placard of yours that reads: I’m at all times right!’ 你不容疑猜，又不容辯白，高舉永遠正確的招牌……

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[Note: The song Outsize Ambition 鴻鵠志 hónghù zhì ends with the verse:

For a performance of Outsize Ambition, see here; and for the lyrics, see here.]

Immortal on the River — a poetic interlude

Yang Shen 楊慎

臨江仙·滾滾長江東逝水

滾滾長江東逝水，浪花淘盡英雄。
是非成敗轉頭空。
青山依舊在，幾度夕陽紅。
白髮漁樵江渚上，慣看秋月春風。
一壺濁酒喜相逢。
古今多少事，都付笑談中。

On and on the Nice River rolls, bending east away.
Of proud and gallant heroes its white-tops depart no hint,
As proper and mistaken, satisfaction and fall flip all of sudden unreal.
But ever the inexperienced hills keep
To blaze within the west-waning day.
Fishers and woodsmen comb the river isles.
White-crowned, they’ve seen sufficient of spring and autumn tide
To make good firm over the wine jar,
The place many a famed occasion
Offers their merriment.

— translated by Moss Roberts

People-rock Band “Slap”

Melds Ming Dynasty Fiction with

Shrewd Social Satire

China Digital Instances

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A efficiency video of “Crimson Little one’s Eighteen Wins,” a January 2023 track by the folk-rock band Slap (耳光乐队, Erguang Yuedui), has been attracting a lot consideration recently on Chinese language social media and Chinese language Twitter. The folks tune combines iconic characters and scenes from the classical Ming Dynasty novel “Journey to the West” with biting satirical commentary on present and up to date occasions in China and the world.

The in depth lyrics—detailing 18 so-called “wins”—are chock-full of acquainted references to the occasions of the previous a number of years. There are sly mentions of China’s now-abandoned “dynamic zero-COVID” coverage, the mysterious China Japanese Airways crash, the continuing Russia-Ukraine warfare, Nancy Pelosi’s contentious go to to Taiwan, Henan’s rural banking disaster, the “exodus” of disgruntled Foxconn staff, the Guizhou bus crash, the constructing fireplace in Urumqi that killed no less than 10 individuals, Peng Lifa’s daring political protest on Beijing’s Sitong Bridge, and the nationwide “White Paper” protests towards political repression and extreme COVID controls. Together with well-known fictional characters from “Journey to the West” similar to Crimson Boy (Crimson Little one), Solar Wukong the Monkey King, the monk Tang Sanzang (Tripitaka), and lots of extra, the track is peppered with real-life modern characters straight out of the headlines.

[該歌曲列出了中國「動態清零」疫政、谷愛凌爭議、東航墜機、俄烏戰爭、小鎮做題家、二舅、豐縣鐵鍊女、唐山燒烤店毆打女性、北京天通苑居委會「軟肋」、蘭州三歲男童因疫情防控錯過治療去世、鄭州社區書記錯過女兒成人禮、胡鑫宇失蹤案、廣州寶馬衝撞人群、佩洛西訪台、河南村鎮銀行暴雷、富士康員工徒步返鄉、貴州大巴車、烏魯木齊大火、白紙運動等近年來發生在中國的各種事件。]

Some are sympathetic: there’s Second Uncle of viral video fame, the mentally ailing mother-of-eight who was shackled in Jiangsu, the ladies who had been brutally overwhelmed by gangsters at Tangshan BBQ restaurant, the lacking pupil Hu Xinyu, and the three-year-old boy from Lanzhou who died attributable to delayed remedy underneath COVID controls. Others are extra clearly forged as villains: the privileged and controversial Olympic skier Eileen Gu, the Tiantongyuan neighborhood committee members who famous {that a} sure native man’s son was his “weak spot,” the tone-deaf Zhengzhou neighborhood secretary Liu Hongying (who, on the peak of the pandemic, whined about lacking her daughter’s coming-of-age ceremony), and the BMW driver who plowed right into a crowd of individuals in Guangzhou.

Shaped in 1998 in Baoding, Hebei province, Slap are a fiercely impartial band identified for his or her “new folkloric” (新民俗主义, xin minsu zhuyi) musical stylings and incisive lyrics. Regardless of being unsigned to any main label, they’ve carried out usually in Beijing and different cities, and have toured extensively. A latest lineup options lead singer Zhao Yuepeng, guitarists Wang Dong and Zhou Kun, bassist Zhang He, and drummer Nie Bing. The band has written a collection of eighteen songs centered round social points, and these movies can be found on YouTube, though some have been banned on main Chinese language media platforms. [A selection from this series is given above — Ed.]

The tune “Crimson Little one’s Eighteen Wins” seems to have been censored as properly: a Chinese language-language seek for the band title and track title on Weibo at the moment yields no outcomes.

CDT has translated parts of the lyrics—and added some explanatory hyperlinks—from the track within the efficiency video above.

“Crimson Little one’s Eighteen Wins”

Crimson Little one is sage younger princeling
whose actual title is Niu Shengying
His dad and mom, the Bull Demon King and Princess Iron Fan,
pampered and spoiled him,
which is why he’s a three-hundred-year-old adolescent
The denizens of Fireplace Cloud Cave are oft subjected to his wiles
The Gods of Earth and Mountains are accustomed to his pranks
Now everybody’s acquired Stockholm Syndrome
Crimson Little one suffers from delusions of persecution
Within the Little one’s world, all he does is win, win, win

(musical interlude)

That 12 months, the monk and his disciples got here to Fireplace Cloud Cave
to save lots of the Gods of Earth and Mountains,
however the Gods weren’t grateful sufficient
So Crimson Little one threw a match
and went to warfare towards the Monkey King
You’d higher not impede our
“Fireplace Cloud Cave dynamic zero-COVID” (applause)
The monk and his disciples are lying-flat“bandit vermin”
The God of the Earth stated, “If you happen to’re not wealthy
don’t go round beating people, pretending you’re Wang Sicong” (applause)
In Fireplace Cloud Cave, we’ve acquired our
very personal consultants to assist us win, win, win
Why would we let a overseas monk
such as you chant the sutras? (applause)

[…] A fifth win on your social standing
a sixth win on your social gaps
Let’s touch upon the marvelous work
of these gents on “China Normal Time” (applause)
Ladies are saved out of school,
household constructions are medieval
Ladies worldwide chop their hair in solidarity (applause)
A mom of eight is shackled and chained
A scumbag who burned his spouse is sentenced to dying
You may’t say Tangshan’s like Gotham Metropolis
as a result of no less than Gotham’s acquired a Batman. (huge applause)

(musical interlude)

[…] Counting 9 wins means you’re silly,
Ten wins makes me good
Take into consideration which issues in life
are necessary, and which aren’t—
A 3-year-old died of carbon monoxide poisoning
He had no COVID check, in order that they wouldn’t let him via
These three pandemic years had been his entire life (applause)
Secretary Liu missed her daughter’s
coming-of-age occasion, boo hoo hoo
A one-year-old child by no means had a COVID check
in order that they let him choke to dying
“Damaging or constructive” is all some people can see
however what they want is a few humanity
(huge applause, shouts from viewers)

(musical interlude)

[…] Crimson Little one’s eighteen wins are all right down to
science, expertise, and onerous work
Thanks for losing three years “defending” me
although it nonetheless sends a shiver down my backbone
Liu Bo, my bosom buddy,
I swear I’ll defend you to the dying! (applause)
I’ll always remember the fireplace, or the bus crash
or all that was coated up
Like lone warrior strolling into darkness
Hear the start of those Nice Works
Chuckle that we’re fortunate to be
born into this Nice New Period (applause)
30% is future and 70% is right down to onerous work
Exhausting work wins out ultimately … [Chinese]

As a result of on-line censorship, many preliminary feedback concerning the track have been deleted from Weibo and different social media platforms. CDT Chinese language editors had been capable of acquire some Twitter feedback concerning the track, a few of that are translated under:

XiJPDynasty: Its incisive lyrics hit straight on the coronary heart of issues in our society, prompting individuals to assume and replicate, and to look at social phenomena extra intently. […]

vivianzheng333: I couldn’t assist however really feel unhappy when he sang that half about “Batman.”

straycat_au: It is a daring gambit, risking the second half of your life by “dashing on the ramparts” of energy. Respect.

yaoyaoio: The previous three years are nonetheless as clear as day.

ljbdba: That phrase “Exhausting work wins out ultimately” has some profound meaningbehind it. [It is the title of 1988 Hakka pop song by Taiwanese singer-composer Baitang Chen.]

cuixufeng50: Who trembled after they heard this? Who was moved to tears? Who felt enraged? [Chinese]

One other of the band’s songs, “How Ought to We Spend Our Lives?” was featured in an October 13, 2021 efficiency at 46 LiveHouse in Changsha, Hunan province. A portion of the lyrics from that track are translated under:

How ought to we spend our lives?
Will we sow and reap only for ourselves,
or work ourselves to dying for others?
Will we savor life within the second,
or endure for the sake of the long run?
Will we cross down our achievements to the following technology,
or depart behind a reputation the world will keep in mind?

Nobody has the right reply
Everybody has the ultimate say
Nobody will get a do-over
Everybody will get to reside their life

How ought to we spend our lives?
How will you spend your life?
How ought to we spend our lives? (repeat)
If we had the prospect to do all of it once more,
how would we spend our lives?

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人的一生應該怎樣度過啊 才算很值得
生命經怎樣的雕琢 才有絢麗的光澤
人的一生應該怎樣度過啊 才算很值得
生命經怎樣的雕琢 才有絢麗的光澤
當我們到來的時候 都不約而同的哭了
當我們離開的那一刻 你還想說什麼
未來也曾讓我們憧憬過 理想也曾讓我們執著
愛情也曾讓我們哭了笑了笑了又哭了
青春似熱血般火熱 年華似水流過
誘惑啊誘惑讓我們 都改變了許多
人的一生應當怎樣度過啊人的一生應當怎樣度過
當我們眷戀的擡起頭 看花開花落
人的一生應當怎樣度過啊人的一生應當怎樣度過
當我們眷戀的回頭望去 昨天已永遠走過
有人為了名譽而拼搏 有人為了地位而爭奪
有人為了權力而焦灼 為了金錢而瘋魔
有人為了別人的臉色 有人為了自己的價格
有人為了掙脫枷鎖 為了自由的自我
當半夢半醒的時刻 那患得患失的你我
當人生潮起又潮落 該何去何從呢
有人背著沈重的道德啊 有人釋放衝動的心魔
有人為了短暫的快樂墮落善惡的糾葛
愛恨像大雨般滂沱 得與失如風吹過
愛別離求不得吹不散 這人間的煙火
人的一生應當怎樣度過啊 人的一生應當怎樣度過
當我們無奈的揮揮手 無可又奈何
人的一生應當怎樣度過啊 人的一生應當怎樣度過
當我們無奈又無所謂 明天又將會如何

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Supply:

The Eighteen Darkish Arts of Grasp Bao

包大人十八黑

耳光樂隊

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On Bao 包 bāo:

Within the track, ‘Grasp Bao’ refers to Bao Zheng 包拯, a upstanding bureaucrat and choose of the Track dynasty. Zhan Zhao 展昭 (展護衛 within the track) is a basic who options in fictional accounts of the exploits of Grasp Bao. He repeatedly rescues the choose from tight spots.

Bao 包, or 包子 bāozi, additionally stands for ‘dumpling’ or ‘steamed bun’. It’s considered one of Xi Jinping’s many nicknames.

As a verb, bāo 包 means to encircle, comprise, wrap. In Taiwan, ‘Grasp Bao’ 包大人 is a well-know model of grownup diaper. — Ed.

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包大人，包老黑，
問問身邊的展護衛。
放眼古今中外內，
普天之下誰最黑。

要說黑還是大人您最黑，
您黑的頭上放光輝。
黑老包搖頭說太慚愧，
今天我帶你看一看十八黑。

要想看十八黑，
你還得陪我睡一回。
嚇得展昭快崩潰，
大人我是男神不是男gay。

展護衛說你別誤會，
遊仙枕上才能穿越回。
夢里如果你追上了我，
我就讓你嘿嘿嘿。
（嘿嘿嘿：費玉清講的黃色笑話）

一黑天，二黑地。
黑完了發展黑空氣，
你別看我黑的很徹底，
黑不過輝煌的京津冀。
（京津冀霧霾嚴重）
王寶強罵那CMND
（王寶強微博粗口罵肇事逃逸者
此處口誤，應該是CNMD）
法庭上上演快播劇，
公訴人被嗆得臉著了地，
樂事薯片我招誰惹誰哩。
（快播王欣案辯護人辯詞受網友熱捧，
樂視被指舉報，網友去樂事薯片官博罵人）

三黑善，四黑惡，
黑完了天災黑人禍。
女孩跳樓爭對錯，
家庭社會都失責。
（甘肅13歲女孩跳樓自殺，
釀成社會群體性事件）
深圳樓房被滑坡，
道歉有沒有效果。
（深圳滑坡事故，市領導鞠躬道歉）
雷小米說我也是醉了，
周鴻禕說別說話吻我。
（雷軍看周鴻禕睡覺照片被惡搞）

五黑左，六黑右，
黑完了胖瘦黑美醜。
借問素質你有沒有，
泡椒鳳爪你太可口。
（上海地鐵女生吃鳳爪惹罵戰）
問君能有幾多愁
恰是XX牽了你的女朋友
（笑場沒唱出來歌詞）
年年到了雙十一時候，
你老婆都能讓馬雲快樂很久。（都懂。）

七黑買，八黑賣，
黑完了輸贏黑成敗。
二胎全面被放開，
張藝謀想說你狗帶。
（二胎政策、張藝謀超生
狗帶：go die諧音，網絡熱詞）
縱觀那五千年以來，
唯獨沒兄弟姐妹的一代。
（苦逼8090後趕上了獨生子女）
開放二胎要是沒人睬，
要不然開放那二房來。
（網友惡搞應開放二房）

九黑明，十黑暗，
黑完了是非黑恩怨。
公交車的縱火犯，
你跟IS一樣的混蛋。
（銀川公交縱火致17人死亡）
國際油價下調我們暫緩，
聽說是為了治理霧霾才這麼幹。
（發改委以治理霧霾宣佈暫緩調整油價）
風不來呀霧霾吹不散，
風太大了會沈船。
（治理霧霾基本靠風吹，
東方之星沈船官方「原因」）

十一呀黑古，十二黑今，
黑完了節操黑良心。
看守所副所長跟犯人心連心，
帶著小姐去監獄里賣淫。
（江西賣淫女看守所與在押犯性交易）
校園暴力事件又頻頻，
到處都有扒光小三的正派軍。
（屢見不鮮的社會新聞）
紅色的預警看到治霾的決心，
活佛的床上看到阿瑪阿張鐵林。
（北京發佈霧霾紅色預警，
張鐵林香港上演坐床鬧劇。）

十三那黑窮，十四黑富，
黑完了秀恩愛黑孤獨。
天後的孩子兩養父，
半壁江山閨女仨老母。
（王菲、汪峰各自混亂的家庭關係）
股票市場滑了千股，
明星們紛紛云中歌伴舞。
（股市千股大跌，花千骨、雲中歌熱播）
百年修得你同床渡，
千年修得你優衣庫。（都懂的）

十五啊黑老，十六黑少，
黑完了偉大你黑渺小。
六十六年握手握了80秒，
這樣啊開車還是慢點好。
（習馬會66年的握手，
郭富城秀恩愛被警察勸誡開車安全）
熔斷啊果然迅速熔斷了，
就像那康熙再也不來了。
（股市熔斷機制被叫停，
《康熙來了》停播。）
證監會就是監督讓你跑不掉，
反正玩那人民幣都是玩幣歸趙。
（小股民被套牢，趙家人從中獲利）

十七黑拎不清，
黑完了精英黑明星。
萬科啊看前面黑（赫音）洞洞，
原來是寶能發來地兵。
（寶能系被指惡意收購萬科股權）
毛誕日傻根他認祖歸宗，
聖誕節樂嘉先生他一蛋一星。
（王寶強毛澤東誕辰發微博，
樂嘉參加節目睪丸受傷。）
尹相傑通知他二進宮，
朝陽區群眾鼓搗毛寧。
（尹相傑和毛寧因為涉毒被抓）

十八黑呀誰有藥，
黑完了廣告黑療效。
歌舞團為啥突然回國了，
難道是因為三胖快射了。
（朝鮮歌舞團在中國演出突然取消）
吃不飽還總是要打炮，
真讓人比那夏洛還煩惱。
（夏洛特煩惱成為票房黑馬）
馮小剛今年演老炮兒，
三胖子你今年老點炮。
（馮小剛主演電影，朝鮮試驗氫彈）

包大人黑完了把頭抬，
展護衛你是否已經笑快（笑cry）
展熊飛插手拜了三拜，
大人啊比起來你果然太白。
包大人輕輕把手擺，
大宋朝咱都是趙家的奴才。
（趙家人特指統治階層）
2016我願做個掏糞男孩（tfboy）
（TFBoy：The Combating Boys band）

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