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Feminine assassins have come a great distance since Seijun Suzuki launched “Pistol Opera,” a 2001 remake of his 1967 absurdist masterpiece, “Branded to Kill.” Starring Masako Esumi as “Quantity Three” in a hitman hierarchy, the movie was lengthy on Suzuki’s fabled fashion however quick on something resembling substance.
Isao Yukisada’s “Revolver Lily.,” a lavishly mounted motion movie primarily based on Kyo Nagaura’s hard-boiled novel set in 1924 Tokyo, might nominally rating greater within the substance division — it’s fervently anti-war regardless of its sky-high physique rely — however the stylistics are as soon as once more entrance and heart.
Not that Yukisada, a veteran director of latest dramas making a uncommon enterprise into interval fare, is Suzuki-esque in his strategy: He’s a romanticist with a sentimental streak, not a surrealist with a darkish humorousness.
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