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A photograph captured by Vicky Roy
| Photograph Credit score: Particular Association
4 photographers — Saina Munjal, Sanjay Kumar, Rasil Khan, and Vicky Roy — have powerfully captured the vulnerability of homeless youngsters, the hardships they face, and the transformation they endure as soon as they discover solace in a shelter house of their work showcased as Sapnon ki Udaan. Curated by Vicky Roy, the exhibition is on at Vadehra Artwork Gallery.
Roy, a contract documentary photographer, lived on the streets of Delhi earlier than he was taken in by the Salaam Baalak Belief, a city-based NGO that helps avenue youngsters in India. He shares his perspective on his personal transition and of others like him. “On streets, you discover these youngsters sifting via rubbish or bathing at railway stations; however after they discover shelter houses, their lives resemble that of a lower-middle-class family,” he says.
The exhibition is a reminder of the stark realities of life on the streets. Sanjay, Rasil and Roy share a standard background of being homeless. Their pictures depict the struggles and resilience of avenue life. The uncooked and evocative photos are transferring as they supply a glimpse into the untold tales of survival. They’re showcasing photos that they’ve clicked over time. “Regardless that the pictures are usually not current, the struggles of avenue youngsters are comparable”, explains Kumar.
“The exhibition is in regards to the youngsters’s completely happy and unhappy moments. It displays my private life to an extent”, says Khan, who aspires to be a filmmaker at some point. “Finding out was by no means my cup of tea, subsequently I experimented with a number of professions earlier than changing into a photographer”, he provides.
The masks made by the youngsters
| Photograph Credit score:
Particular Association
Saina’s pictures, alternatively, give attention to the lives of the youngsters in shelter houses and seize the moments of pleasure and hope. Her telling photos present youngsters engrossed in karate courses, immersed in studying on the library, and celebrating festivals with their friends. “These youngsters don’t search pity; all they lengthy for is empathy,” says Saina.
Earlier than the shoot, Saina had carried out workshops the place she engaged the youngsters in conversations about their desires. Primarily based on their inputs, collectively, they crafted masks that symbolized their aspirations and wore them in the course of the picture classes. The masks allowed the youngsters to guard their identities whereas revealing the desires that gas their spirits
A documentary that options the youngsters speaking candidly about their hopes and desires can also be enjoying on the exhibition venue. Regardless of quite a few hardships, these youngsters radiate happiness and have a profound sense of generosity. “They may not have a lot, however they know methods to share,” says Saina, recounting every time she carried goodies, every of them would take just one and save the remaining for his or her pals.
A photograph captured by Saina Munjal
| Photograph Credit score:
Particular Association
At Vadehra Artwork Gallery, Defence Colony, New Delhi; Until August 16, 2023
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