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Till pretty not too long ago, live-action variations of common manga collection have been a reliably grim prospect in Japanese cinema. Keishi Otomo’s unique “Rurouni Kenshin” trilogy (2012-14) marked a turning level, making a mannequin for profitable on-screen franchises that has since been replicated by the “Kingdom” and “Tokyo Revengers” films, and Netflix collection “Alice in Borderland,” amongst others.
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