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Upon listening to the information of musician Seiji Ozawa’s demise, one picture flashed by means of my thoughts: an image of the conductor playfully sticking his tongue out at me throughout a photograph shoot.
It was for a Japan Occasions interview with him again in 2017. I used to be requested to take photos for a characteristic by classical music author Chiho Iuchi, and I can nonetheless bear in mind how nervous I used to be within the days main as much as it. My then-new mother-in-law was an enormous admirer of Ozawa’s, and I anxious that I’d by no means reside it down if I blew the chance.
Weeks of mounting anxiousness instantly evaporated upon coming into his workplace in a quiet nook of Tokyo. As a substitute of the flurry of press brokers laying down pointers and requesting to evaluate photographs as I took them, as is commonly the case with high-profile topics, I used to be greeted by a pleasant assistant and led to a small room with an previous piano and delightful window mild.
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