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Passage I
| Photograph Credit score: Kalpit Gaonkar
In Mumbai’s parks, deserted buildings and intersections the place birds are fed, a wayfaring multi-disciplinary artist from Bandra, Sarika Bajaj, hunts for discarded feathers. These are her instruments of expressionism in addition to a medium for articulating ecological considerations. “I’ve been working with feathers for practically 12 years,” she says, speaking about her solo exhibition, titled Requiem, at Anupa Mehta Modern Artwork, Colaba. Ranging from March 14, it’ll showcase two of her tapestries, pictures, a sculpture, a efficiency garment and a efficiency artwork video.
Passage VIII
| Photograph Credit score:
Kalpit Gaonkar
Sarika’s fondness for the unconventional medium stems from the innocuous childhood reminiscences of feeding birds, which later metamorphosed right into a niggling thought that delved into the influence of concretisation on the pure habitat of the feathered creatures. “I began finding out concerning the cultural symbolism related to birds, their position within the ecosystem, and finally about how they’re shedding their habitat,” says Sarika, who started her profession in artwork with shows at Kunst Artwork Truthful, Zurich 2011 and Scope Basel 2011. It’s these ideas that form her creative vocabulary, increasing on the narrative of people’ interplay with Nature.
Stays
| Photograph Credit score:
Baba Patil
The arduous stockpiling of plumes takes years. Even longer is the method of treating them. So, Sarika sifts the quills from the vanes. “Once I discover a feather, I place it in boric powder and freeze it. Then, it’s washed with hydrogen peroxide and dried. Afterwards, I lower the quill,” she provides. Sarika explored the thought of working with quills through the pandemic years, creating elaborate tapestries. Those on show at Requiem are titled Stays and Remnants. “I began engaged on these two tapestries final 12 months. The bottom is jute on which I tie bundles of quills with vibrant threads,” explains Sarika. She calls the repetitive, rhythmic course of “meditative”. “It takes hundreds of quills to make one tapestry. At instances, after I run out of feathers, I make use of different mediums, like ropes,” she provides. This experimentation displays within the hoop-like sculpture after which the exhibition is known as.
Requeim
| Photograph Credit score:
Baba Patil
“It took me a few years to make this art work. It has been made with rope, cloth and threads. It talks about silence, void and losses, each private and ecological. It questions — how do you reconcile with what’s misplaced and what’s left,” shares Sarika.
In quest of a dialogue that explores artwork within the realm of environmental consciousness, Sarika turns inwards. Her efficiency artwork video — titled Passage, shot by photographer Kalpit Gaonkar — she says is an extension of her turning into one together with her creations and setting. “It was on the Bikaner Home the place I first did efficiency artwork, sporting my art work. Within the video, I’ve draped myself in two tapestries joined collectively. There’s a physique of pictures too, additionally clicked by Kalpit, which is a documentation of the efficiency. It reveals me wandering about in summary topographies, questioning the that means of my existence,” she shares.
Passage V
| Photograph Credit score:
Kalpit Gaonkar
Although artwork alone can’t be a catalyst for change, Sarika deserves its propensity to create consciousness. She indicators off saying, “As I look inward, I assume that those that have interaction with my artwork may also look inside to reply uncomfortable questions on our perspective in the direction of the setting.”
The artworks are on sale and go as much as ₹15 lakh (excluding taxes); on until April 30.
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