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In Danny Boyle’s 2008 movie, Slumdog Millionaire, Brit actor Dev Patel performed his ‘Indian card’ to the hilt as Jamal Malik, teen resident of Juhu’s shanties who finds himself on a successful streak on Kaun Banega Crorepati. The phrase ‘slum’ itself set the tone of what the film was doing – rehashing ‘slum tourism’ of Roland ‘Rickshaw!’ Joffe’s 1992 Metropolis of Pleasure that made Calcutta the ‘slum capital’ of the world – and gave the town a reputation its residents have since used with out realising the irony (‘Metropolis of Pleasure’ is a ‘slum’ within the adjoining city of Howrah). Indian cinema and OTT exhibits, together with in Hindi, have moved on from these twee Orientalist depictions some time again, venturing right into a terrain that is gritty, darkish and edgy. However international movies depicting India have stayed caught of their standard ‘poverty’n’biscuits’ aesthetics. Till now, it appears. Patel has performed catch-up in his directorial debut, Monkey Man, and units to redeem his previous foray into slumdogma.
Heartily described as an Indian ‘John Wick’, the neo-noir franchise starring Keanu Reeves as a darkish murderer, Monkey Man has Patel play hardcore Mumbaiya noir within the title position. There’s violent motion – of the acute non-Gandhian sort – however ‘with soul’, one thing we have now come to relish in exhibits like Sacred Video games, Paatal Lok and Farzi. Good that the West is lastly catching up with us.
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